In her combination of the conversational and the incantatory, the fragmentary and the infinite, Léger captures something of Duras’s own tones and moods, yet her approach to Loden and her appreciation of “Wanda” are entirely her own. “Here, now, is a remarkable new book that does everything-biography, criticism, film history, memoir, and even fiction, all at once, all out in front. Moving contrapuntally between biography and auto-fiction, film criticism and anecdote, fact and speculation, Suite for Barbara Loden is a stunning meditation on knowledge and self-knowledge, on the surfaces of life and art, and how we come to truth-a kind of truth-not through facts alone but through acts of the imagination. Suite for Barbara Loden is the magnificent result. Here that distance is completely eradicated.' It is perhaps this 'miracle'––the seeming collapse of fiction and fact––that has made Wanda (1970) a subject of fascination for artists from Isabelle Huppert to Rachel Kushner to Kate Zambreno, and that set acclaimed French writer Nathalie Léger on an obsessive quest across continents, into archives, and through mining towns of Pennsylvania trying to get closer to the film and its maker. 'Usually, there is a distance between representation and text, subject and action. 'I believe there is a miracle in Wanda,' wrote Marguerite Duras of the only film American actress Barbara Loden ever wrote and directed.

Publisher: Dorothy, a publishing project (2016) Translated by Natasha Lehrer and Cécile Menon (Dorothy, a publishing project). Translators: Natasha Lehrer and Cécile Menon Moving between fact and speculation, film criticism and anecdote, Suite for Barbara Loden came out of Nathalie Légers obsessive investigation into the mysteries of Wanda, the only film American actress Barbara Loden ever wrote and directed.

Suite for barbara loden